SOMEWHERE BETWEEN MAYBE SOMEWHERE BETWEEN MAYBE SOMEWHERE BETWEEN MAYBE

SOMEWHERE BETWEEN MAYBE SOMEWHERE BETWEEN MAYBE SOMEWHERE BETWEEN MAYBE

SOMEWHERE BETWEEN MAYBE

Ballroom music, but no ballroom. Twin blue turntables play one last record, crackling and humming with the fading memory of tunes. The theatre has been emptied of intent, or given over to its own. Two lone figures slip out from behind the curtained void. They dance masked, their faces as brief as emblems, their bodies a broken sign for what holds our own together. We should not be fooled by their awkwardness, their stuttering steps, their disarticulation, twitching and near-misses. For they have learned to use their bodies as if they were new to them, to catch that crack and spark of consciousness, fleeting as a firefly, between motion and what wills it. Broken virtuosos, they have grown used to ducking into the in-between, in the very nick of time. We stand in the interval. Take stock of a distance. Somewhere between maybe.

SOMEWHERE BETWEEN MAYBE

Ballroom music, but no ballroom. Twin blue turntables play one last record, crackling and humming with the fading memory of tunes. The theatre has been emptied of intent, or given over to its own. Two lone figures slip out from behind the curtained void. They dance masked, their faces as brief as emblems, their bodies a broken sign for what holds our own together. We should not be fooled by their awkwardness, their stuttering steps, their disarticulation, twitching and near-misses. For they have learned to use their bodies as if they were new to them, to catch that crack and spark of consciousness, fleeting as a firefly, between motion and what wills it. Broken virtuosos, they have grown used to ducking into the in-between, in the very nick of time. We stand in the interval. Take stock of a distance. Somewhere between maybe.

SOMEWHERE BETWEEN MAYBE

Ballroom music, but no ballroom. Twin blue turntables play one last record, crackling and humming with the fading memory of tunes. The theatre has been emptied of intent, or given over to its own. Two lone figures slip out from behind the curtained void. They dance masked, their faces as brief as emblems, their bodies a broken sign for what holds our own together. We should not be fooled by their awkwardness, their stuttering steps, their disarticulation, twitching and near-misses. For they have learned to use their bodies as if they were new to them, to catch that crack and spark of consciousness, fleeting as a firefly, between motion and what wills it. Broken virtuosos, they have grown used to ducking into the in-between, in the very nick of time. We stand in the interval. Take stock of a distance. Somewhere between maybe.

SOMEWHERE BETWEEN MAYBE

Ballroom music, but no ballroom. Twin blue turntables play one last record, crackling and humming with the fading memory of tunes. The theatre has been emptied of intent, or given over to its own. Two lone figures slip out from behind the curtained void. They dance masked, their faces as brief as emblems, their bodies a broken sign for what holds our own together. We should not be fooled by their awkwardness, their stuttering steps, their disarticulation, twitching and near-misses. For they have learned to use their bodies as if they were new to them, to catch that crack and spark of consciousness, fleeting as a firefly, between motion and what wills it. Broken virtuosos, they have grown used to ducking into the in-between, in the very nick of time. We stand in the interval. Take stock of a distance. Somewhere between maybe.

Press:

The work – in its strangeness, its timeless universe, neither real nor entirely fictional – escapes all labels we might try and stick to it.
— JEU 2015 Frédérique Doyon

Pushing the boundaries of performance, visual arts, theatre of objects, burlesque and dance, Somewhere Between Maybe innovates, stirs the pot and brings joy.
— Le Devoir 12 February 2015 Nayla Naoufal

Dana Gingras uses a particular feminine imagery to (playfully) denounce a way of understanding identity and its modes of representation – not only of women, but also, in turn, of dancers, artists and citizens in society.
— JEU 2015 Frédérique Doyon

 



Press:

The work – in its strangeness, its timeless universe, neither real nor entirely fictional – escapes all labels we might try and stick to it.
— JEU 2015 Frédérique Doyon

Pushing the boundaries of performance, visual arts, theatre of objects, burlesque and dance, Somewhere Between Maybe innovates, stirs the pot and brings joy.
— Le Devoir 12 February 2015 Nayla Naoufal

Dana Gingras uses a particular feminine imagery to (playfully) denounce a way of understanding identity and its modes of representation – not only of women, but also, in turn, of dancers, artists and citizens in society.
— JEU 2015 Frédérique Doyon

Press:

The work – in its strangeness, its timeless universe, neither real nor entirely fictional – escapes all labels we might try and stick to it.
— JEU 2015 Frédérique Doyon

Pushing the boundaries of performance, visual arts, theatre of objects, burlesque and dance, Somewhere Between Maybe innovates, stirs the pot and brings joy.
— Le Devoir 12 February 2015 Nayla Naoufal

Dana Gingras uses a particular feminine imagery to (playfully) denounce a way of understanding identity and its modes of representation – not only of women, but also, in turn, of dancers, artists and citizens in society.
— JEU 2015 Frédérique Doyon

Choreography and Direction:
Dana Gingras

Created with and performed by:
Sonya Stefan | Jamie Wright

Music:
The Caretaker | Roger Tellier Craig

Lights:
Mikko Hynninen

Dramaturge:
Daniel Canty

Rehearsal Director and Outside Eye:
Karine Denault

Scenography:
Simon Guilbault

Photography:
Austin Young

Promo Video:
Oswaldo Toledano | Mark Loeser | Guillaume Vallée

Somewhere Between Maybe

Photographer: Sonya Stefan

somewherebetweenmaybe1

Dancers: Jamie Wright & Sonya Stefan. Photographer: Austin Young.

somewherebetweenmaybe2

Dancers: Jamie Wright. Photographer: Austin Young.

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ANIMALS OF DISTINCTION ARTS SOCIETY

Montreal, Quebec
email: dana@animalsofdistinction.org

Films Distribution & Sales Agent:

Microclimat Films inc. / Catherine Chagnon
271, chemin Judd
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Canada
email: catherine@microclimatfilms.com

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6228 Av Henri Julien
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Canada
Tel: 514 898 7215
sarahrogersaod@gmail.com

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Acknowledgements

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